Showing posts with label gesture. Show all posts
Showing posts with label gesture. Show all posts

Thursday, November 7, 2013

A Question of Bicycle Etiquette

From the Chicago Record.

Should a gentleman riding on a bicycle raise his hat to a passing lady with whom he is acquainted? It depends. Some riders dare not. Their only salvation lies in keeping firm clutch on their handle-bars. Let go of one for ever so brief a moment - then comes disaster. We have seen the time we would not release a handle-bar even to clutch an offered ten dollar bill. We have got so now we can use a handkerchief when necessity demands, but we consider it a risk; confidence is not restored until we once more grasp the bar. No, unless you are a trick rider, give a lady a smile and nod, or if there is even danger in taking your mind off your wheel that long, pretend you do not see her.

Source: The Washington Post (1877-1922) Aug 11, 1897. Page 7.

Tuesday, February 15, 2011

The Art of Conversation: Gesture

Comprehends all movements of the body, and should be in accordance with the thought, which it is meant to enforce. The principal instruments employed are the head, arms, and hands. Pantomimic action at every word would be intolerable. Gesture, indeed, must be sparingly used; a mysterious action at the announcement of a simple idea, rude gestures in the midst of a friendly chit-chat, or the rapid movements of a person sitting or standing, who appears to be affected by St. Vitus' dance, are all offences against reason and good taste. He who wishes to please in conversation, must not neglect the art of gesture. It is not sufficient that he has a fine voice and speaks with expression: he must know when to give greater expression to his words by some graceful and appropriate movement, for there is nothing more fatiguing than the never varying motions of those automatons who seem to have neither soul nor sentiment.

Source: How to Shine in Society, or, The Art of Conversation: Containing its usages, laws, rules, application, and examples. (Glasgow: George Watson, 1860), 17-18.


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